As in other ancient creeds, the genesis of the indigenous Circassian system
of beliefs is wrapped in uncertainty and intertwined with myth and mystery.
The Circassians did not produce a native sacred book. Nevertheless, relics
of those far away days have fortunately been preserved in mythology, giving
us insights into the world of the prehistoric forebears of the Circassians.
In addition, the accounts of native writers of the 19th century and foreign
visitors throughout the ages provide snippets of ancient religious practices
and ceremonies.
Animism was probably the first creed in ancient
The principal features of the ancient religion were belief in
life after death, polytheism, rendering of homage and honour unto the deities,
performance of rites and ceremonies of supplication and prayer, and other
beliefs and superstitions associated with the pantheon of traditional gods.
Fire worship goes back to the age when the ancestors of the
Circassians discovered fire and made the first tentative efforts to master
it. It may also have been an influence of Zoroastrians.
Like all polytheistic creeds, classical Circassian religion divided the
world into manageable segments, each of which was under the auspices of a
deity. The presiding supreme god, Theshxwe
(Òõüýøõóý), headed
a divine cast of three scores or so who controlled the world in a collective
manner.
Like their Greek counterparts who had their abode in
If two persons fell out with one another,
Zhulat was the place to go, to heal the breach. Each party took a
bow and arrow, which was held between them as they reiterated vows of friendship.
Once the pledges had been made, the arrow was snapped in consummation of their
renewed bond. This custom was called ‘Going to Zhulat.’ The expression ‘Tetertup be
sch’esin,’ ‘May I be many times in Tatartup,’ was sworn on the truth of an allegation.
Around each god and goddess, there arose a cult and special
rites of worship and supplication. Every deity had his/her special attributes.
Some of the gods had human forms, and a few were even mortal. The fleeing
of Lhepsch from a dissatisfied ‘customer’ is indicative
of this—an attempted deicide, so to speak. It is believed that the god of
the smiths started out as an ordinary human being, a mere apprentice. It
was in appreciation of his metallic feats that he was elevated to the rank
of the gods.
Some gods had control over natural phenomena.
Schible (Ùûáëý) was the god of thunder and lightning, and
Zchithe
(Æüûòõüý) master of the wind. Sozeresh
(Ñîçýðýø; also Soziresh, Sozeresch, Sozresch),
god of fertility,
family hearth, well-being and illness, had the winds and waters at his command. Other gods provided
wisdom, guidance and indispensable services to the Narts, and patronized important
crafts and professions. Lhepsch manufactured
metal implements and arms
for
the benefit of the Narts. In one story, his wife gave him the idea of making
tongs when she saw a dead snake doubled on itself. In another, the shape
of the crescent moon provided the blueprint for the sickle. Those dedicated
to serving humans included Amisch (Àìûù), Axin
(Àõûí),
Mezithe
(Ìýçûòõüý), and Theghelej
(Òõüýãúýëýäæ). Amisch, god of fauna, occupied his time with
catching all kinds of forest animals, which he presented to the Narts to raise
and multiply. Later he shared this profession with Axin, but eventually each specialized in a specific species of animals, Amisch
becoming the god of sheep, Axin that of cattle.
Theghelej, god of flora, found his calling in the search for wholesome crops
for the Narts to grow.
There were also some goddesses,
but these were lesser in number than their male colleagues. The most famous
were Hentsiygwasche, goddess of the rain, and
Mezgwasche
(Ìýçãóàùý), goddess of forests and trees. A minor
deity, Merise
(Ìýðûñý), acted as the
protectress of bees. The story goes that at the time of perdition
of bees, Merise saved the last surviving bee,
hiding it in her sleeve. The divinity took good care of the bee, which subsequently
reintroduced the species. In appreciation of this feat, a festival was held
in her honour in summer. Merise had three sisters:
one was protectress of family life, another patroness
of warriors, the last of peasants. It is thought that female deities lost
some of their significance with the transition of Circassian society from
a matriarchate to patriarchy.
The Narts also had their fair share of false gods. In our Greek
analogy, if the Pantheon is to be considered cosmos, or ‘order’, these represent
chaos, or ‘disorder’. In one of the Nart tales, Peqwe
(Ïýêúóý), the demi-god who created the fields, punished
the Narts by ordering the clouds to withhold their waters for
Wezirmes’s
(Óýçûðìýñ) ingratitude and disobedience. The fearsome hero had been
shocked and greatly disturbed by the obsequious behaviour of his people towards
the pusillanimous godhead. He vowed to slay him and rid his people of his
tyranny. His bluff having been called, Peqwe took
refuge in a spider web that he wove deep in the heavens.
Wezirmes chased him on his magic steed and used ruse to sever his
holy head.
Hubris, although an indictable sin, was not always punished.
Two episodes in the Nart Epos illustrate this point. In the legend of
Tilale
(Òûëàëý), the arrogance of the protagonist was castigated by chaining
him to the top of a mountain, as was Prometheus fettered on
Tenets of polytheism
The dichotomy of good and evil was an integral concept of Circassian religion.
It is possible to cull proto-religious ‘commandments’ that are scattered here
and there in the Nart tales to make up a Circassian equivalent of the Hebrew/Christian
Decalogue. Examples include: ‘one must not hanker after other people’s possessions’
and ‘One must ask before taking other people’s belongings.’
The Circassians had their own version of the redemption of the
world in the legend of Tilale. This chained hero
was supposed to break out of the irons and come into the world after the people
had been stricken with famine. He then cleansed the world with the waters
of the seas, and restored life to the lost world. Probably this was a Christian
version of an older myth.
Immortality of the soul was the basic belief of the Circassians. Upon death,
the soul transmigrated to the world beyond, or hedrixe
(õüýäðûõý). To make it to the eternal abode, the deceased was in need of an ample
supply of provisions, concomitant wares, and his personal weapons to sustain
and protect himself on the perilous trek. One rite in the elaborate burial
ceremonies had the kin of the deceased inhume these requirements, which were
commensurate with the status of the deceased. Archaeological finds of victuals
fit for lavish feasts and impressive arsenals have confirmed this thesis.
Ancestor worship was a direct consequence of this credo. It is not clear
whether women of the upper classes enjoyed the same exquisite funereal treatment.
Circassians worshipped certain trees, believing that they were
inhabited by invisible divinities. There were two deities associated with
trees, one male Mezithe (Ìýçûòõüý;
Forest-god), and another
female, Mezgwasche (Ìýçãóàùý;
Forest-lady). There were sacred
groves and shrines in which ceremonies were conducted to propitiate local
divinities, procure good weather for the harvest, good luck in expeditions
and so on. Thunder and lightning were venerated; the patron of which was
Schible
(Ùûáëý). Some rivers were also considered sacred.
Dancing was believed to have locked powers that might be invoked
to ensure success of an undertaking. Disease and injury were considered as
the works of evil, so that the sick were blown upon to exorcise the malevolent
spirit. Toasts were first uttered as magic invocations and incantations to
unlock hidden powers. The wind was thought to have some evil power, hence
the adoration of Zchithe
(Æüûòõüý) and the rites of supplication
associated with him.
Friends and relatives of a person with a bone fracture kept
him company and kept him from sleeping by making loud clamour and chanting
songs by his bedside. This curious custom, named
sch’apsche
(ùIàïùý), was a relic of animist times, when evil spirits were
believed to be waiting for the patient to fall asleep to take possession
of his body. A practical benefit of this practice was to ensure that the
break did not get worse by the injured assuming a wrong position in his sleep.
Some social and festal ceremonies, like dance, song, toast making, trace
their origins to pre-historic beliefs and are latter-day developments of ancient
religious rituals.
It is quite probable that at one time the Circassians had a
separate priestly caste that officiated religious services and rites. However,
there are no indications that arcane sects nor a power wielding priestly
class jealously guarding hidden mysteries inaccessible to the common folk,
as was the case in ancient
It was believed that performance of special rites of worship
in which supplicants encircle a venerated object, like a holy tree, or a spot
stricken by lightning, invoked the resident spirits and unlocked their latent
powers. Some accounts tell of solemn processions round a tree with the supplicants
carrying torches. These formed a significant part of a complex system of
prayers. The most sacred class of dances was called
wij (x’wrey) (óäæ
[õúóðåé]), which was performed
by dancers forming a circle round a venerated object. It later turned into
a dance performed by couples with music, losing all religious significance.
A special dance consecrated to the supreme god, Theshxwe
wij
(Òõüýøõóý óäæ), was executed with the bodies of the
participants in compact formation. It was revived recently, but merely as
a dance form.
Religious rites were sometimes accompanied by chanting. Songs
were intoned during feasts in honour of thunder, during sacrifices and other
pagan festivals. When lightning struck a place or an object, a special kind
of wij was performed round the stricken
spot accompanied by ‘Schible
Wered,’ (Ùûáëý óýðýä)––‘Song of Lightning.’
Another class of rites of supplication was concerned with prevention
of disease. In a curious wedding of superstition and practical
nous, small pox was first treated by inoculation, a technique discovered
and developed by ancient Circassians in their efforts to spare their beautiful
women. Then, so as not to leave any room for chance, the stricken person
was placed in a swing and rocked to the accompaniment of a special chant ‘Ziywis-hen,’
(çèóñõüýí) ‘Your Lordship,’ which invoked the mercy of the deity
of the disease. In the Mesopotamian civilizations that existed about 3,000
BC, swings were thought to have magical and religious properties, suggesting
contacts with ancient Circassian cultures.
It is worthwhile to mention that pagan songs, now completely
out of use, give us clues as to the concept the ancient Circassians had of
the creation and the world. These same songs were adapted twice, in the Christian
and Muslim eras, and used to praise the new deities.
A person smitten with lightning was thought to have been ordained
by an angel for benediction and a solemn ceremony was conducted in his honour,
the parents overjoyed with the new-found status. The crowds would go outside
listening to the clamour created by the aerial angel, and if no thunder was
heard for some time, prayers would have been said for its return. This is
apparently a melange of the ancient ceremony of adoration of Schible
(Ùûáëý) with a later Christian influx.
Holidays and red-letter days, on which religious ceremonies were held, were usually fixed in the Circassian calendar. Each deity had a day, sometimes more, consecrated to his/her worship. Schible was an exception in that it was not possible to predict lightning strikes, augury and astrology notwithstanding. Sozeresh, for example, was adored on the first three days of spring.
Rites of devotion to specific deities
Adorable deities were represented mainly by effigies made from trees. In
times of droughts, a procession carrying an effigy of the goddess of rain,
Hentsiygwasche
(Õüýíöèéãóàùý) or Hentsegwasche
(Õüýíöýãóàùý), marched through the stricken village with supplications for rain:
Õüýíöýãóàùý
çûäîøýðý!
Õüýíöýãóàùý
çûäîøýðý!
Åæüó.
ß
äý
äè
òõüý,
óýøõ
êúåãúýùýùýõ!
Õüýíöýãóàùý
çûäîøýðý!
Åæüó.
ß
äý
äè
òõüý,
óýøõ
êúåãúýùýùýõ! |
Song to Hentsegwasche, the Goddess of Rain:
‘We are escorting Hentsegwasche!’
[1]
We are escorting Hentsegwasche!
Chorus: Our Lord, let it pour down from above!
We are escorting Hentsegwasche!
Chorus: Our Lord, let it rain in plenty upon us! |
The households along the route poured water on the idol, also exclaiming,
‘Our Lord, let it rain in plenty upon us!’ They donated (uncooked) victuals,
such as husked millet, eggs, dried meat, etc, to the procession, which then
headed to the river-valley, where the foodstuffs were cooked and consumed
whilst prayers were being said. The partakers also performed
psixelhafe
(ïñûõýëúàôý), the rite of bathing fully-clothed to call forth the
rains. According to Kabardian tradition, the idol was later taken to the village
centre, where it was fixed to the ground and the supplicants then performed
the dance wij
x’wrey (óäæ õúóðåé)
round it. On that day, it was considered a great sin to
appropriate other people’s possessions, and it was strictly forbidden to engage
in wineyidzihe (wine-yidzihe;
óíýèäçûõüý) or k’wese
[êIóýñý], the age-old
custom according to which a suitor, with a group of trusted friends, abducted
his beloved (with her own assent) from her parent’s house on a set date and
time.
[2]
The ceremony of worship of Lhepsch consisted
of libations over a plough and an axe, symbols of plenty and might, respectively.
For Sozeresh, a pear
or hawthorn
(êõúóæüåé å õüýìêIóòIåé) sapling was cut down
in the forest and cleared of all but
seven branches
(‘seven’ was a
particularly significant number in ancient Circassian folklore). Almost all households had such an image.
On the day of his
festival the effigy was brought inside the house in a grand ceremony (presided
over by the newest daughter-in-law) with accompanying music and to cheers from
all the members of the family, who complimented him on his arrival after
spending the whole year on the surface of the sea. Little candles were stuck to
the branches and a piece of cheese was attached to the top. The participants
then indulged in revelry in which makhsima (ìàõúñûìý) was had and songs sung.
Afterwards, the idol was taken to the yard (and Sozeresh returned to the sea)
where it stayed without any mark of reverence until the next holiday.
The rites of worship of the god of crops, Theghelej, had people
of both sexes gather in the early hours of the day and start on a procession
to the local sacred grove. They took with them an ample supply of victuals
and a number of sacrificial animals. Festivities started when they entered
the ancient wood. An effigy of the deity in the shape of a cross was placed
near one of the most venerated trees in the wood. Prayer chants were intoned
in single voice and chorus. The men and women formed a circle round the idol
and the sacred dance, wij, was performed
solemnly in much the same way it is done today. Couples moved round the icon
holding hands, with music and chant in the background. When the effigy had
been circumambulated a few times, a new formation
was assumed in which all partakers in the dance faced the icon holding hands
and lifting them periodically in supplication.
The festival of Zchegwpathe (Æüýãóïàòõüý;
Jegwpath
[Äæýãóïàòõü], in Adigean), patron of the domestic hearth, was celebrated
on the first day of January.
[3]
This was a strictly familial affair, and the special viands were specifically
called ‘Xame’wemixwe’ (ÕàìýIóýìûõóý;
‘Missing Strangers’).
The role of Zchegwpathe was assumed by the most
senior (male) family member. To him was consecrated the most prestigious part
of the sacrificial animal – the side (äçàæý;
dzazhe), smoke-dried in the hearth flue. To Zchegwpathe
was devoted the whole established complex of cults connected with initiation
of the new bride into her father-in-law’s hearth, the inauguration and upkeep
of the hearth-fire, and funeral feasts, and other rites and ceremonies. These
cultic rituals are representations of the conception of the Circassians of
the soul of their primeval ancestor, Dade. The cult of Dade is still alive,
though mainly symbolically, in the Circassian ethos.
Prayers were then taken up by the priest, usually the eldest
person in the group, who delivered a sermon that included a homily and thanksgiving
for blessings rendered by the god. Next the rite of
thelhe’w (òõüýëúýIó)
took place. The idol was presented with many culinary
offerings, including makhsima [ìàõúñûìý], the national
beverage. Animals, such as bulls, rams, lambs, ewes, and goats, were then
sacrificed in front of the idol for the purpose of propitiation and propagation
of bliss. The priest then distributed the flesh among the worshippers, not
forgetting the ill and the poor who were unable to attend. The slaughtered
animals were then cooked and feasted upon. The occasion merged solemnity with
merry-making in a natural and healthy manner.
Ancestor worship
Ancient Circassians venerated their ancestors, believing in the immortality
of the soul. They buried the dead with full panoply of arms and other accoutrements
near their sacred groves. Feasts were held annually at certain times in honour
of the dead, who were presented with fares in the belief that they maintained
their bodily functions and were capable of feeling.
Stemming from ancestor worship was the cult of the hero. Like
in Greek religion, some humans of extraordinary abilities were elevated to
the rank of gods. Many of the gods associated with the Nart Epos probably
started out as human beings. For example, the metallic exploits of
Lhepsch engendered universal veneration. Some characters seem to
have been stuck between humanity and godliness, having unusual faculties
but not really admitted into the Pantheon. In this category may be included
Satanay and Sosriqwe. Human and animal bones
found in ancient burial grounds provide evidence that the ancestors of the
Circassians practised sacrifice, which might have held a special position
in ancient proto-religious rites. According to legend, association of human
immolation with crop growing, hence bliss, followed the mysterious slaying
by Theghelej (Òõüýãúýëýäæ) of a man who attacked him and the subsequent sprouting of three
corn plants on his grave.
Oaths & vows
Oaths invoking a deity, theri’we
(òõüýðûIóý), were
performed in accordance with special rites. Oftentimes these were taken at
some wine-drinking festivals, since pledges made facing wine
tuns were considered most binding. Contravention of an oath brought
everlasting damnation, contempt, and shame, not to say retribution and punishment.
In the language of Longworth, if customary law
was tyrant, then the oath was the sole monarch to whom all peoples of the
Entreaties & toasts
Offerings to deities in form of festive meals, thelhe’w
(òõüýëúýIó;
entreaty of god), were made to beg for favours, like rain, recovery of
the sick, plentifulness, etc. Supplications were
incorporated in religious ceremonies.
Snippets of the old beliefs are also to be found in the toasts
that are uttered at certain ceremonies and occasions. Toasts were initially
invoked to appease the gods and as supplications, among other purposes. Before
an important undertaking, toasts were pronounced that invoked the supreme
god, Theshxwe:
Our God,
The Greatest One!
Destine it to be in a trice,
Pronounce it to be profitable,
Let it be started with the right hand,
Let it be finished with the left.
Let us reap its fruit with a whole skin,
And let us have it with your blessing!
Superstitions, jinxes, omens & black cats
The world of the ancient Circassians was replete with monsters, dragons, behemoths with several heads and eyes, one-eyed colossi, giant-killers, wood elves, creatures with canine heads and bodies of oxen, weird crews of witches and warlocks, old women with iron teeth and breasts thrown over the shoulders. The fiendish cast was tempered with knights in shining armour, fairies and belles capable of changing their shapes, plus magic flutes and magical trees. The black arts were thought to have been wielded by demonic creatures and a terrifying assortment of witches and warlocks. Lhepsch, god of the smiths, used to lock his smithy whilst at work, to keep people out, but one day, someone peeped into his workshop, and the magic was gone.
It was believed that evil spirits, ch’erisch’en
(êIýðûùIýí), attached themselves to certain people, who, on this account, could master
dark powers to harm unwary victims. One class of witches,
wid (óä), were thought to have such contacts and had the uncanny ability
to change their human form to that of wolves, dogs and cats, and even go invisible.
They had avail of this power only at night. To these creatures were attributed
children’s illnesses and headaches, and murrain that smote cattle. They were
also suspected of killing their own children. These fiends were supposed
to effect these calamities by casting the evil eye on hapless creatures,
though there were more elaborate methods.
There was a popular belief among some tribes that on spring
nights these witches flew together astride an assortment of domestic and
wild animals to the top of Mount Sibir-’Washh
within the limits of Shapsughia. There they
revelled all night long. Before dawn, they swept down the mountain and flitted
about the houses strewing diseases from their bags. Thus, all spring illnesses
were attributed to these sirens.
Those suspected of witchcraft were subjected to cruel harassment
and persecution, oftentimes on mere suspicion and hearsay. One particularly
horrible method of torture had a witch placed in ropes between two fires and
thrashed with prickly birch-rods. The ordeal went on until she swore to forsake
her devilish pursuits.
A sorceress, almesti
(àëìýñòû), having the form
of a naked woman with vertical eyes and flowing hair, was also said to have
associations with powers of darkness. Her magic resided in her hair, hence
the saying, ‘To seize the almesti’s hair,’
meaning the achieving of a longed-for object. Marie-Jeanne
Koffmann, a cryptozoologist, believes
in the existence of almesti, but only as
the local wild man. She claims to have recorded hundreds of sightings in
Kabarda.
There was a plethora of old wives’ tales. Households complaining
of paucity of children abstained from doing the laundry on Friday (Day of
Mary). The shape of a pregnant woman’s abdomen told the gender of the
fetus; a bulging belly predicted a male child, a flat appearance
a baby girl. An expectant mother who cast eyes on fish gave birth to an infant
with protruding eyes. A sneeze during a conversation was a confirmation of
the truth of what was being said. If the sternutation
occurred while talking about a dead person, someone had to pat the
sneezer on the shoulder to prevent his joining the subject of the
conversation. Fingernails had to be clipped in the morning, toe-nails in the
evening. Seeing eggs in sleep predicted snowfall. Seeing oneself in sleep
standing on a height presaged well.
A cat stretching in front of a hearth presaged the illness of
a member of the household. A cock making his dawn call before the usual time
omened the death of the family elder. A hen emulating
cock’s morning call foretold a calamity.
Lovers who looked simultaneously in the same mirror separated soon
after. Lunar eclipses presaged spread of contagion. Other presages of evil
included keeping the dead at home at night, rocking an empty cradle, breaking
a mirror, antagonizing one’s neighbours, and talking about the dead while
travelling at night.
Augury & astrology
Augury was perhaps the oldest method of divining the wishes of the gods
and determining the course of future events. Like pre-Christian Circassians,
the Narts used to have soothsayers and fortunetellers, thegwrimaghwe
(òõüýãóðûìàãúóý), who used many devices
to pronounce their prophecies.
A special sub-class of priests called ‘mamisch’
(«ìàìûù») told fortunes by reading the shoulder blades of animals,
blathe
(áëàòõüý). According to
Longworth, the scapula was held up to the light, and the marks read,
the patterns auguring ill or well for the course of impending campaigns, predicting
famine and harvest, severe cold and snow and so on. He commented sneeringly
on the strength of belief in them. ‘Those infallible sources of information,
the mutton bones, were referred to every day, and fleets in full sail were
seen approaching the coast in the scapula or shoulder-blades… so convinced
indeed were the authors of these prognostications that they would be realised,
that they demanded, as a matter of course, the backshish, or gratification, it is customary to make to the bearers of good news [gwf’apsch’e;
ãóôIàïùIý]’ (Longworth 1840, vol.
2, pp 79-80).
Haricot beans were thrown to tell somebody’s fortune, mainly
by old women. In later times, divination by coffee-grounds, apparently a Turkish
influence, became fashionable. Perhaps the closest thing the Circassians had
to the Greek Delphi was Zhulat, the holiest sanctuary.
Unfortunately, there are no records of oracular rites or of an officiating
priestly caste.
Beyond the primitiveness of looking into animal entrails, star-gazing
offered a model of the universe and a more ordered view of how it worked.
Since time immemorial, Circassians took guidance from the stars literally
and in their spiritual and mundane life. Astrology was named
vaghwaplhe [âàãúóàïëúý], literally star-gazing. There is some evidence that
the cromlechs found in
At any rate, the Circassians were aware of most of the well-known
heavenly bodies and some celestial phenomena. A comet was called
vaghwe abrej
(âàãúóý àáðýäæ), literally ‘star-horseman’,
Mars Ax’shem Vaghwe
(Àõúøýì âàãúóý), ‘Evening
Star’, Ursa Major
Vaghwezeshiybl (Âàãúóýçýøèáë), and the Milky Way Shixw
Lhaghwe
(Øûõó ëúàãúóý),literally
‘path of horse-driver’, and so on.
Besides the scientific endeavours, there was inevitably a corpus
of superstitions attached to heavenly bodies. According to the Circassian
scholar Askerbi T. Shortanov
(Shorten):
Every person had his own star – it was considered as a reflection of his/her
soul … It was prohibited to recount stars, for it was said that doing so would
cause a rash, or warts to erupt all over the body, with number of warts equal
to number of stars counted. The Circassians believed that if an ill person
rubbed his eyes with his fingers and saw stars, he was destined to live,
otherwise he would meet his doom within 24 hours.
[1]
This is the Kabardian version of the chant, which addresses
the native Circassian deity, The. The ‘Christian’ rendition of the
self-same chant channels the imploration to Awisch-Yeliy
(St. Elijah, or Elias), or Yele. The Cherkess
version of the supplication, i.e. the one used by the Circassians in the Karachai-Cherkess Republic, invokes the Muslim God Allah (Alih), but which otherwise preserves the prayer to a letter.
[2]
This
custom, which still exists to this day, corresponded to the old Western custom
of elopement.
[3]
Zchegwpathe and Sozeresh, as a collective,
correspond to the Lares and
Penates in Roman mythology.