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The murk, mist, and strange visions mini-series of mini-poems…….. 1. The Murk, 2) Expecting, 3) The Arrival, 4) Disconnected, 5) The Trunk, 6) Pink Rats, 7) Chases, 8) Beyond the Fence, 9) Alice Visited, 10) Hypnosis, 11) Neighbors, 12) Darkened Mirrors, 13) Alice Died, 14) Weakness, 15)Frailty, 16) Body Beautiful, 17)The Aunt, 18)Pills, 19) Dangler Dropped _________________________ 1) "The Murk"
The murk swirls Around the mote Around the lake Over thick lawns Into those gardens Within great walls The murk dances A spongy gray All fingers and hands Through estate windows Playing ring around --- The tainted rosy Round and round The grand towers And somewhere within All of that mist Alice lives forever.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. _______________________ 2) "Expecting"
Daniella's expecting Daniella's expecting The pampered treasure Ileena's seen her What every lady wishes In a thick jumper In a denim jumper All new and starched All little girlish A cutesy pixie The pixie girl A pin-up model Of Winnie the Pooh And Disney wonders Daniella's expecting In a pretty dress In a denim jumper And a brand new car "White as the driven snow" All of the sort Ileena never had.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. _____________________ 3) "The Arrival"
Jamie's arrived Once again dropped Dropped and fallen Into that fix Into that mix Fallen and let go Over sulfur and blood And a candle's burn He simply let go Jamie's left alone Too heavy to run Away from them Who all close in In masks and gloves In masks and gloves Upon that night Yet this very time It was they ----- Who inevitably died!
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©.
** This is a recreation of a former event where the outcome is altered. It is part of a descriptive series. _______________________ 4) "Disconnected"
Swirling full circle To Alice again From Alice to death There're only two things Alice and death Above who killed Alice? So everything seems As that cold wheel Spins round and round As the little hamster Works out its stress Out for $5.00 And death wonders If it over-paid As Alice screams Let Me on out ---- Of this horrible cage!
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress © _______________________ 5) "The Trunk"
Lorniey digs deeply Through a trunk A dusty ancient ---- Brown storage trunk A hidden hoard She pulls out a blouse Then a pink sweater She plows further in And drags out a scrapbook She opens it slowly And there is everything Left of sweet Alice And somehow it isn't --- Nearly enough.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. _________________________ 6) "Pink Rats"
The tiny pink rats They raced away Chased and harassed By giant purple cats They ran amok Over Granddad's grave They danced and shrieked All over the porch They got into the house And made a grand mess Lorniey does insist The truth of such tales Upon midnight's smile Upon that eve's moon The rats were PINK The cats were PURPLE As Grandmother dared --- Dye their white hairs!
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. _________________________ 7) "Chases"
Fugues are beggars Pleading "Do-overs" Dreams are screamers Biting at restraints Wishes are branches Sprouting out defeat These are refusals Fighting the leash Leashes are cruelties Within each reality Cruelties are barriers Foiling every success Wants are minerals Needs are fuel Propelling the desperate Into endless chases.
By Lady Lost Copyright © 1998 All rights reserved. Library of Congress ©. Previously published. ____________________ 8) "Beyond the Fence"
Daniella is near Once again here Not exactly here But she's near A tad over there Beyond the fence Daniella is there And Ileena saw her Right over there Daniella is there A quick glance Revealed the tale All glossed hair And a flowered dress.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. ______________________ 9) "Alice Visited!"
Alice visited lastnight! Lorniey swears it Ariel does too Jackie dances over it Tianna sings its songs Christy chatters excitedly Kwashi races the halls Alice came back! The mere wisped thought Alice could again Linger to play In a winters dress White and gold striped Oh, everyone remembers As everyone wishes Alice was here!
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. _______________________ 10) "Hypnosis"
Ileena is sleepy Sleepy and fading Fading and floating A doctor poses --- The vital question That very crux To the swaying --- Of a watch chain "You hate Daniella…" "Don't you Ileena?" And the voiced response Comes so slowly Slowly and sluggishly A slurred movement "Oh no …………" "Why should I ?" After all Ileena knows As Ileena's learned All Grandmother taught And Grandfather slapped Into her skull Brandings come at birth Bad girls are branded Good girls are not And all(s) decided Before they can talk.
By Lady Lost Copyright © 1999 All rights Reserved. Library of Congress ©.
**This poem depicts a metaphorical hypnosis not a real life hypnosis. This poem is figurative in meaning not literal. Many of these works contain figurative and metaphorical meanings. None of the characters portrayed in this work are minors under the age of 18 either! LOL! The inner contents of this work do not revolve around any minors anymore than the work is about people under the age of 18 -- which it is undeniably about adults. __________________________ 11) "Neighbors"
Ah, we have good neighbors Neighborly neighbors! Neighborly hillbillies And their heads --- Are stuffed far back Stuffed so far back And so deep in "Cry for the Strangers" As Mr. John Saul wrote An entire novel About our neighbors!
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©.
Unrelated note to the readers: I highly recommend all John Saul novels for your reading enjoyment!! ______________________________ 12) "Darkened Mirrors"
A mirror-ward glance And Jackie gasps Choking upon air Through the dusk Towards that image She turns around Ever so s-l-o-w-l-y She looks again Daring to do this! Into the nights view Within that glass That silver tainted glass And it's still there The ghost! The specter! She's still there As Lorniey and Ariel Bound in to take over And they cry out Alice is back!
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. _____________________ 13) "Alice Died"
She Died at 16 She died at 16 All sweet 16 And no such party They killed her then They pulled her away And ate her up They labeled it neatly A drug addiction "Not terminal illness!" But the others knew Alice used NO drugs Alice NEVER took drugs Alice was chaste --- And clean and pretty Alice NEVER used drugs It was a cover-up Masking the truth She died at 16 She died at 16 They killed her then They took her nowhere She died at home And they covered it up!
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. _______________________ 14) "Weakness"
Why are they so clumsy? Why am I so weak? Used to be so strong What takes 70 pounds To knock me out 1000 pounds couldn't do Way back when Way back when I used to be so strong.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. ___________________________ 15) "Frailty"
A head snapped back A skull went whack Like a newborn A smallest knick And back it snaps Low motor control Atrophied muscles Something too pathetic A feeble-feeble neck The head snapped back Whatever happened To cause such frailty.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. _____________________ 16) "Body Beautiful"
The body beautiful The body treasured Worked and sleek Worked and sleek To that masterpiece That artful wonder A body beautiful Then one night Lapped into morn Dipped in mourning No more lovelies No more pride Just droopsy whoopsy And this spread Up further and further A droopsy infection From head to toe Unzipped zippers Unclasped claspers That can't close-up To body beautiful --- Anymore.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. ___________________ 17) "The Aunt"
The aunt died The aunt died A good aunt A grandest lady The one I called --- Mother When I was --- Younger The aunt died Just last-night And I've none Tears to share Nor many words Neither emotions Beyond the logic Colder than stone --- Observations Life has made me Far too hard.
By Lady Lost Copyright © 1999 March/29/1999 All rights reserved Library of congress ©. _____________________ 18) "Pills"
What was his name? Oh, I don't remember You see I never --- Met him exactly I only dreamt him I'd know him --- If I saw him I think I could Recall the name then I think I must See him again And so very soon Goodnight! Goodnight! A few more pills And we'll all sleep tight.
By Ileena Delomprie Copyright © 1999 All rights reserved Library of Congress © _________________________ 19) "Dropped Dangler"
Dropped that dangler Caught it again Another yo-yo(s)--- Loopty Doopty act Clutched it tightly And stared at it And stared at it The hands didn't believe What the eyes did see That horrid putty Seeping through fingers All crimson and ruined Dropped it again And someone shouts --- Oops droopsy whoopsy!
By Lady Lost Copyright © 1999 All rights reserved Library of Congress ©! __________________________ International copyright © No rights to publish, copy, download, redistribute, redisplay, in part or whole form implied or granted without obtaining direct written permission from the author. Please contact Gunther S. Vanludwick at svanludwick@yahoo.com if you have any questions or comments. ___________________________ "Mecca"
It's hopeless! It's hopeless! There's NOTHING -- HERE Beyond the ruins -- HE has created With his behaviors -- That NEVER stop! Ah, but that's -- ENOUGH Enough to thrill him Enough to document And make his excuses -- OVER AND OVER He's a scapegoat artist He's a slander master He's a projection Guru He's of the incubus order He believes HE'LL -- NEVER have to stop! This is his purpose -- His life in entirety He's found his demon's -- MECCA.
By Lady Lost Copyright © 2002 All rights reserved Library of Congress Copyright International Copyright No rights to copy, print, download, duplicate, or display elsewhere other than this specific website granted or implied without the direct written permission of the author. Please contact agent of the author: Mr. Gunther S. Vanludwick at svanludwick@yahoo.com
**As with all poetry, essays, correspondence and/or published letters, e-mails or other communications presented on this webpage, this poem is a personal subjective expression of its author's own feelings, thoughts, beliefs, and opinions. This statement is in no way intended to invalidate or minimize the powerful and poignant experiences of this author. However, this statement is intended to indicate that creative expressions such as these written forms of artwork are derived from their author's own personal feelings, thoughts, beliefs and opinions. ___________________________ Questions to Lady Lost Part Twelve (Off the Cuff Answers): ___________________________ 1) You write a great deal, particularly in poems and other works not featured upon this site, about, "Alice." The alleged perpetrator (soon to be abbreviated Cyris style as the alleged perp) attempted to use these works for his deranged purposes. Can you explain a little more about these works true meaning? Well, most of what I ever wanted to reveal is already in the Trilogy Series. So I don't know what else I can say. I guess I can tell you Alice is not a multiple! LOL! Yes, the nut puppy insisted Alice was a multiple, isn't that a riot? LOL! I can also tell you the whole Alice situation was not in any way self-inflicted as that certain nut bunny also fixates over this incorrect conclusion in many areas. I suppose I could add that, initially, it was no one's fault and that no one could have prevented it entirely. For more, people are just going to have to purchase the Trilogy Series! 2) I believe I have asked you this before; however, I should ask once again for additional clarity purposes: What is your opinion of the alleged perp's interpretation of your many works? Yes, you've asked me that before and in length! I believe he's wackadoodle doo, mentally retarded, nearly illiterate, under-educated, delusional, unjustifiably egotistical, and totally fishing for meanings that never existed in any of my works. I believe his conclusions as beyond absurd. I think even he may know this last part to be true, but he can't admit it as he needed and still needs to rewrite my work's definitions, warp them to the maxim, to serve his demented purposes. If he had chosen to view my works realistically his supposed theory wouldn't have lasted for two seconds in his mind or in anyone else's mind. He's a stalker though and stalkers use whatever they can. They don't care whether it's reality or fabrication. And with the masses of non-poetry readers or extremely limited poetry readers being pretty ignorant about poetry and poetic expression I believe he figured using my poetry the way he has would be the perfect scam! Now, I believe he's figuring out that his scam isn't really working too well. 3) Speaking of his, scam as you so appropriately phrase it, he appears to be particularly fixated on a poem which used the wording, "Dropped Dangler," and he insisted this poem referred to your son's genitals. What do you think of this? The same as what I've said in answering question number two (2). It's another case of where if it weren't for all the helpless, hapless, voiceless and innocents combinations this could get to be entertaining, given no other more appealing choices within the system. He's sick! He's totally loony tunes! That poem, without having it in front of me and I know you're looking for it Gunther, was written about either an adult male or an adult female. I think he got on the same demented band wagon with many other works, like "Droopsy Whoopsies," too. Only a true pervert would take these phrases and change them to mean such sick things. I believe he's just such a pervert. Moreover, I think his fixation on these phrases of mine and his false interpretations is overwhelming evidence of where his head is at! Any non-perverted person would take the meanings in context! The context and the reality are related to the situation, which has absolutely nothing whatsoever to do with any juvenile body part! In fact, the entire concept of juvenile bodies in general is so far out of the picture in my writings that it's unreal! Heck, he even gets into his garbage with, "A Needles End," and other works that have nothing to do with juveniles and a male could never experience any of the traumas depicted within these works! He went so far as to get into his nonsense with a work I wrote which contained some lines about the charley horses, horribly painful, that I get in my own person foot. He's just crazy!
**A number of the works are found and presented below with valid limited comments from Lady Lost: ___________________________ "Dropped Dangler"
Dropped that dangler Caught it again Another yo-yo(s)--- Loopty Doopty act Clutched it tightly And stared at it And stared at it The hands didn't believe What the eyes did see That horrid putty Seeping through fingers All crimson and ruined Dropped it again And someone shouts --- Oops droopsy whoopsy!
By Lady Lost Copyright © 1999 All rights reserved Library of Congress ©!
**Note from Lady Lost: What a reader could notice here is the use of the phrase Droopsie Whoopsie or Droopsy Whoopsy, both meaning the same thing. This is a phrase used repeatedly in many works of a related nature. The relation becomes clearer and clearer as the works are looked at in reasonable context. **Now that I actually get to see the poem in full form I know this one was unfortunately written about an adult female. I say unfortunately, as it is obviously not a happy subject! _________________________ "Frailty"
A head snapped back A skull went whack Like a newborn A smallest knick And back it snaps Low motor control Atrophied muscles Something too pathetic A feeble-feeble neck The head snapped back Whatever happened To cause such frailty.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©.
** Here is a slightly unrelated work, however also a work which the alleged perpetrator is fixated with. **The lines, "LIKE a newborn," and "Atrophied muscles," "Whatever happened," "To cause such frailty," are the crux of this work. 1)"Like," indicates it is not an infant, but someone who feels as helpless as an infant. 2)"Atrophied muscles," indicate that the muscles are atrophied, the muscles were not always in this condition, there has been a change. Infants do not have atrophied muscles. This indicates that the person is an adult who has undergone a change which lead to atrophied muscles and weakness. This adult person, or older person -- old enough to have developed muscles that have been changed by some situation/circumstances, again feels very helpless. 4) "Whatever happened," again indicates a change from the norm. It does not indicate that this condition is the norm, as it would be the norm with an infant. This is a person who was once physically different or a person who feels helpless due to perceived personal alterations from the norm once known. The approaching poem, "Body Beautiful," describes some of the ways in which the author, me, felt different once. 4) "To cause such frailty," again states that this person feels their personal condition has been altered from the norm. One would not state something like, "What happened," "To cause such frailty," about an infant because infants are this way as the norm of development!
___________________________
"Body Beautiful"
The body beautiful The body treasured Worked and sleek Worked and sleek To that masterpiece That artful wonder A body beautiful Then one night Lapped into morn Dipped in mourning No more lovelies No more pride Just droopsy whoopsy And this spread Up further and further A droopsy infection From head to toe Unzipped zippers Unclasped claspers That can't close-up To body beautiful --- Anymore.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©.
**Note from Lady Lost: Here we have another poem that uses the common phrase droopsy whoopsy in context with a body once beautiful concept. "Worked and sleek," "Worked and sleek," "To that masterpiece," "That artful wonder," "A body beautiful." **These lines indicate again an alteration in a body which was worked and sleek, etc. This is obviously an adult body, which has undergone undesirable changes. It comes from the old concept of body beautiful in the work out era of aerobics and whatnot. "No more pride," "Just droopsy whoopsy," "And this spread,""Up further and further," "A droopsy infection," "From head to toe," "Unzipped zippers," "Unclasped claspers," "That can't close-up," "To body beautiful --- Anymore." **Here additional lines talk about adult alterations very clearly. These are a few examples of the context in which works must be taken. The term droopy whoopsy cannot mean one thing in one work and an entirely different thing in another work no more than a real English word can change meanings completely from one thing to an entirely other unrelated thing. The theme is very consistent in all of these works -- it reports a change in body and life for an adult person. It reports an unexpected alteration in the reality for an adult person. Unexpected would also indicate it was not self-planned or self-inflicted. The writer, in this case myself, is expressing shock and confusion about the situation and in this I am trying to explore what is happening, what has happened and process it out. **It also states items that logically cannot happen to males. __________________________ "Weakness"
Why are they so clumsy? Why am I so weak? Used to be so strong What takes 70 pounds To knock me out 1000 pounds couldn't do Way back when Way back when I used to be so strong.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress ©. ** Here is another example of personal adult feelings of alteration and helplessness. "Why am I so weak?" "Used to be so strong," "What takes 70 pounds," "To knock me out," "1000 pounds couldn't do," "Way back when Way back when," "I used to be so strong." Now one must ask what weighs 70 pounds that was in my life back then? Me thinks it was my doggies! Infants don't weigh 70 pounds! LOL Also dogs can be very clumsy! They really get all excited and run right into you and sometimes dogs do knock you down. Could this and other things, forces that are larger than you when you are a weak female also knock you down, causing your neck to snap back? I think so, I know so. _________________________ "Hateful Reminders"
Joseph is available Warming Ileena’s hunger Seducing lost beauties Lingering upon fringes Begging for release To swoon and swoon Wandering into dreams Dreams of lovers Lovers of want’s tides To have and to hold To cradle beloved’s That steadfast cherishing Carried into places Too sweet to mention Too tender to waste As Ariel’s forced ---- To come forth chiding To wag hard fingers Before wistful eyes To bare realities Loath to do this Ariel simply must Strike upon reminders As Ileenas smitten Too smitten to see Love isn’t possible NO ONE WANTS Oops droopsy whoopsies Nor labor’s mistakes NO ONE DESIRES Ileena’s inner love Love isn’t enough When there’s damages Where splendor lays Itself down in surrender.
By Lady Lost Copyright © 1999 All rights reserved. Library of Congress Copyright International Copyright. No permission to print, copy, download, redistribute, or display elsewhere outside of this website, without written permission from the author. Please forward all inquiries, comments, or requests to agent of the author, Gunther S. Vanludwick at svanludwick@yahoo.com
** Here's yet another one which uses the phrase droopsy whoospy in context. Again it is absolutely nothing in the world to do with juvenile body parts! It has nothing to do with any child. It has to do with adult situations and adult issues. It is completely expressing an adult alteration in very shy thus understated adult terms. And it is the business of the adult expressing these feeling to cope with them in her own way. The victim within this work is clearly a grown female. No child is listed as the cause, the cause and the end is adult in nature. _________________________
5) Amazing and what truly excellent descriptions! This should be quite enlightening to any readers who may have been foolish enough to have any doubts. Do you truly believe the alleged perpetrator was of the opinion that this scam of his could work in light of such obvious interpretations? You'd be surprised, shocked really, at how many people don't take words and phrases in context, or look at the repetitions, and then apply some logic. "Person-in-situation," is a huge part of this context process represented within my works. But I'm glad you were able to dig up some of these works so that I could comment on them and define them specifically. Thank you! 6) It appears to me that you were harmed and as a result these poems were created? This is undeniably the truth of the matter. However, the crux of this is not where the fruit loop says it is and moreover this situation should remain my sole problem. Crazy person stalking intervention makes the problem worse for everyone! I stress the, "everyone," in this! This nut puppy was not and is still not invited into the picture. In fact, this nut puppy is nothing but a sickening perpetrator himself! To be more specific with a statement I made a few sentences up, the rabid little nut bunny, the dangerous coward himself, the very flesh eating bacteria, the tick man, says the crux occurred in my childhood and he is royally El Wrongo! LOL! We'll just start calling him the wrong way stalker! I hope my readers do enjoy these revelations and that they write you svanludwick@yahoo.com to share their opinions and perhaps some minor gratitude! Copyright © 2002 All rights reserved Library of Congress Copyright International Copyright No rights to copy, print, download, duplicate, or display elsewhere other than upon this specific website granted or implied without the direct written permission of the author. Please contact agent of the author: Mr. Gunther S. Vanludwick at svanludwick@yahoo.com
**As with all poetry, essays, correspondence and/or published letters, e-mails or other communications presented on this webpage, this work is a personal subjective expression of its author's own feelings, thoughts, beliefs, and opinions. This statement is in no way intended to invalidate or minimize the powerful and poignant experiences of this author. However, this statement is intended to indicate that creative expressions such as these written forms of artwork are derived from their author's own personal feelings, thoughts, beliefs and opinions. __________________________ "Excuse ME!"
Please excuse -- My typos I abhor -- ENDLESS Proofreading CEASELESS -- Word checking I am tired Time is ebbing The life force -- DRAINING Out of my being The pandemonium Has persisted -- In progress For too long And I have -- CREATED None of it -- The bedlam The asylum Of existence I did nothing -- To deserve "Blame the victim" Hour has ended "Sometimes bad things" "Happen to good people" Someone else's -- Brilliant book title I am a poet -- Not a philosopher Of such magnitude Please excuse -- The typos The imperfections Of these pages -- I have made I abhor -- ENDLESS Proofreading.
(Here's a poem for both Lady Lost and I, written by Lady Lost) By Lady Lost Copyright © 2002 All rights reserved Library of Congress Copyright International Copyright No rights to copy, print, download, duplicate, or display elsewhere other than upon this specific website granted or implied without the direct written permission of the author. Please contact agent of the author: Mr. Gunther S. Vanludwick at svanludwick@yahoo.com
**As with all poetry, essays, correspondence and/or published letters, e-mails or other communications presented on this webpage, this work is a personal subjective expression of its author's own feelings, thoughts, beliefs, and opinions. This statement is in no way intended to invalidate or minimize the powerful and poignant experiences of this author. However, this statement is intended to indicate that creative expressions such as these written forms of artwork are derived from their author's own personal feelings, thoughts, beliefs and opinions. ___________________________ ___________________________
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