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Xingyiquan Individual Forms (單練套路)

Jin Tui Lian Huan (進退連環) - "Advance Retreat Linking" Form

In Li Luoneng's time, this form was known as the "5 Element Linking Fist" (wu xing lian huan quan, 五行連環拳).    After Che Yizhai's compliation and editing of the forms, it became known by it's current name.   When practicing this form, the key idea to keep in mind is that "within advancing there is retreating and within retreating there is advancing".   That is, even when advancing you need to be able to retreat instantly, and while retreating, you need to be able to instantly change to advancing. 


This form has undergone several changes in the last hundred years and it's possible to see several variations done by modern practictioners.   For instance, in "One Horse, Three Arrows" (yi ma san jian, 一馬三箭) some practitioners go into a deep cross legged stance on the first two bengs, while others only cross on the retreat.   Another interesting variation doesn't use a crossed stance at all - the first beng (崩) is done as a half step beng, and the second beng (on the retreating step) hits just as the rear heel roots into the ground, allowing for a very quick third (advancing) beng.


[The original Dai style version of yi ma san jian also has three strikes, but there is no retreating step.   The first strike is a cross step (ao bu, 拗步) punch.  The second one is another ao bu strike, this time with the other hand as the rear leg pulls in and forward to assume the "squatting monkey" (dun hou, 蹲猴) posture.  The final strike is with the (now) lead hand as the rear leg continues to step forward into a "bow stance" (gong bu, 弓步).   The first two strikes hit while the body contracts (shu, 束), and the third one strikes on the expand (zhan, 展).  Apparently the retreating step strike is a modification by Li Luoneng or Che Yizhai.]


Essential points:
In this form, within advancing, there is retreating and within retreating, there is advancing.   (Within hardness there is softness, and within softness there is hardness.  Hardness and softness support each other). 


In "One Horse, Three Arrows" (yi ma san jian, 一馬三箭), each strike is different.  In the half step beng, both feet go out together and the feet take root.  The waist is the commander, the dantian issues strength, the shoulder presses the elbow, and the elbow presses the hand.  Issuing power comes from this "pressing power" (cui jing, 催勁).   In the retreating step beng, the shoulder and kua unite; issuing power comes from the tailbone tucking.   In cun bu (寸步) beng, upper and lower limbs move out together; issuing comes from "inch power" (cun jing, 寸勁).


"White Crane Shows Wings" and "Pulling Horse Forcefully" combines  defending and breaking methods.   In "embracing hand" pao (lou shou pao, 摟手炮), there is striking within defending and defending within striking.   [Lou shou pao is the opening move of the form that looks somewhat like a groin slap.]  This was Che Yizhai's first method of breaking bengquan.

Za Shi Chui (雜勢捶) - "Mixed Posture Pounding" Form

Che Yizhai derived this form from Dai style's "Five Section Watergate Posture" form (wu tang zha shi, 五趟閘勢), also known as the "Preying Mantis Watergate Posture" form (tang lang zha shi, 螳螂閘勢).   The "Watergate Posture" (zha shi, 閘勢) is the origin of the "Cat Washes Face" (mao er xi lian, 貓兒洗臉) movement.   The tang lang zha shi form is usually done as five separate sections (wu tang, 五趟).  Each section ends with zha shi, and you can see the same separations (in the form of "cat washes face") in the za shi chui.

Even though za shi chui is derived from the tang lang zha shi form, the power generation is not quite the same.   The za shi chui version also has more fist techniques.   Since the form incorporates a variety of postures and uses a lot of fists, it was named "Mixed Posture Pounding".